Under the leadership of its chairman, Walter W. Cookthe program was renamed the Institute of Fine Arts in The Institute was strengthened greatly by refugee professors from the German and Austrian institutions that had given birth to the modern discipline of art history. Foundational art historians such as Erwin PanofskyWalter FriedlaenderKarl LehmannJulius Heldand Richard Krautheimer set the Institute on its course of rigorous, creative, and pluralistic scholarship and strong worldwide connections.
New York University Institute of Fine Arts Save The New York University Institute of Fine Arts is dedicated to graduate teaching and advanced research in the history of artarchaeology and the conservation and technology of works of art.
Since the Institute awarded its first PhD inmore than degrees have been conferred and a high proportion of its alumni hold international leadership roles as professors, Robert slifkin dissertation, museum directors, archaeologists, conservators, critics, and institutional administrators.
Under the leadership of its chairman, Walter W. Cook, the program was renamed the Institute of Fine Arts in The Institute was strengthened greatly by refugee professors from the German and Austrian institutions that had given birth to the modern discipline of art history.
Foundational art historians such as Erwin PanofskyWalter FriedlaenderKarl LehmannJulius Held, and Richard Krautheimer set the Robert slifkin dissertation on its course of rigorous, creative, and pluralistic scholarship and strong worldwide connections.
Inunder the leadership of G. Lauder Greenwaythe chairman of the advisory committee and former directorand Craig Smyth, the institutes director, that Nanaline Duke and her daughter Doris Duke presented the Institute with the James B.
Duke House at 1 East 78th Street. Also inthe Curatorial Studies program was established. Two years later, the IFA became the first graduate program in the United States to offer an advanced degree in conservation and founded the Conservation Center, which in moved to the Stephen Chan House Conservation Center across the street from the Duke House.
Research The Institute is renowned for its influential and long-standing research in the fields of art history, archeology, and conservation. The Institute of Fine Arts offers four degree programs.
It confers a M. The Advanced Certificate in Conservation is taken jointly with the M. The Certificate in Curatorial Studies is taken jointly with the Ph. Faculty There are 26 faculty members who teach at the Institute and Conservation Center, with areas of study ranging from early Egyptian to modern and contemporary American art.
Some of the most notable faculty members that have taught or are currently teaching at the Institute include: Jonathan BrownThomas E. Students undertake laboratory work, seminars, research projects, and gain intensive experience through fieldwork and their fourth-year Internship.
Collaboration with related fields, such as conservation science, computer science and digital imaging, museum curatorship, exhibition design, or archival studies, is increasingly critical to the successful practice of conservation and enriches the profession accordingly.
Students gain expertise in conservation of cultural artifacts and artworks from a variety of New York City's public and private museums, including The Metropolitan Museum of ArtMoMAthe Whitney Museumthe Guggenheim Museumthe American Museum of Natural Historythe Brooklyn Museum of Artand nearby galleries, private collections, auction houses, historic properties, and private conservation studios.
Abydos, Egypt In collaboration with Yale University and the University of Pennsylvaniathe IFA is engaged in a long-term archeological study of the history of the significant site of Abydos in southern Egypt. The excavations aim to build a comprehensive understanding of the ancient activities at the site, how its operations and meaning evolved over time, and its relation to the broader context of Egyptian history and culture.
It enjoyed a prosperous existence from the second half of the seventeenth century BCE through the middle of the third century BCE, and its sanctuaries, temples, fortifications, and houses are well preserved. Inthe IFA began its excavation on the Acropolis of Selinunte in western Sicilyfocusing on the area of the main urban sanctuary of the ancient Greek colony.
The excavations document the social history, as well as the architectural and visual culture of an ancient city in unusually fine detail. Fieldwork to date has already provided important evidence concerning the history of Selinunte prior to the arrival of the Greek colonists, as well as significant finds of pottery and sculpture originally dedicated as votive offerings in the sanctuary area.
The city was famous in antiquity for its cult of Aphrodite and for its marble sculptures. It enjoyed a long, prosperous existence from the second century BCE through the sixth century CE, and its buildings, marble sculpture, and public inscriptions are remarkably well preserved.
The current excavation focuses on the recording and conservation of previously excavated monuments, establishing permanent systems for documentation and conservation, new targeted excavations, and scientific research and publication.
Contemporary Art at the Institute The Institute of Fine Arts has some claim to have pioneered the study of contemporary art in the context of art-historical research: Later, as a member of the faculty, Goldwater was joined by Robert Rosenblumwho enjoyed personal bonds with many New York contemporary artists, especially among the Pop generation, and brought this firsthand knowledge to his teaching over more than three decades.
During the s Kirk Varnedoelike Rosenblum, extended an initial training in nineteenth-century art into the contemporary sphere, as he would famously demonstrate after assuming the directorship of painting and sculpture at the Museum of Modern Art.
Linda Nochlin is the critic and scholar most identified with the emergence of strong feminist art practices from the early s onwards.Robert Slifkin Dissertation On Jan 31, Robert Slifkin is an assistant professor of fine arts at the Institute of Fine Arts, New York University, where he teaches courses addressing various aspects of modern.
Curriculum Vitae. Jason E. Hill Terra Foundation Summer Residency Fellowship, Giverny, Henry Luce Foundation/ACLS Doctoral Dissertation Fellowship in American Art, ‐9 Smithsonian Predoctoral Fellowship in American Art, ‐9 (declined) CASVA Ailsa Mellon Bruce Predoctoral Fellowship, PUBLICATIONS Books Artist as Reporter.
Robert Scott Brennan, Painting as a Modern Art: The Era of Giotto. Advisor: Alexander Nagel. Kim Conaty, Mapping a Cultural Breakthrough: A Study of Avalanche Magazine (), the “New Forms of Art Making and Emerging International Networks." Advisor: Robert Slifkin. Robert Slifkin (on sabbatical fall ) Associate Professor of Fine Arts.
Henry Luce Foundation/ACLS Dissertation Fellowship, Getty Research Library Travel Grant, Getty Institute, Institute Faculty.
Faculty Directory Faculty & Fields of Study Special Appointments. Hurley, Robert ([email protected]) He is open to serving as a member of doctoral dissertation committees.
Slifkin, Andrew ([email protected]) Dr. Slifkin investigates the control of action (i.e., motor control) and action-related perceptual processes.
Some of his specific areas of interest include non-linear. The New York University Institute of Fine Arts is dedicated to graduate teaching and advanced research in the Robert Goldwater’s dissertation “Primitivism and Modern Art” extended its reach to the Both Alexander Nagel and Robert Slifkin maintain multiple lines of contact with younger artists and incorporate this awareness in.